we have a lot to say and we stand on business. Scroll for more info.

mas & sustainability
With a strong focus on reducing waste, BCR engages the public in its mission, creating stunning Carnival costumes that celebrate culture while keeping environmental responsibility at the forefront.

terms of conduct
No violence, no Homophobia, Sexism, Racism, Transphobia, Classism, or any other ism-schism allowed. Argue wit yuh mudda if yuh have a problem with that. Click here for Code of Conduct

Ai
Human creativity has always existed and will always exist, regardless of what technologies are available to practise it. We consider it a grave insult to our ancestors to employ technologies that degrade our only home, and misrepresent our beautiful culture. We oppose the use of AI technology in a time of rising fascism, ecological collapse, and disintegrating social safety nets and systems of governance.

gender-based violence
BCR serves as a platform for community advocacy, art, and social justice. Recognizing the importance of addressing pressing social issues like gender-based violence (GBV) and the rights of the child, BCR seeks to use its creative influence and outreach to engage communities in meaningful discussions and actions.

REDEFINING MAS THROUGH SUSTAINABLE PRACTICES
Berkeley Carnival Revolution (BCR) stands out as a pioneer in promoting sustainability within the Carnival industry by adopting an eco-conscious, community-driven approach to costume making. With a strong focus on reducing waste, BCR engages the public in its mission, creating stunning Carnival costumes that celebrate culture while keeping environmental responsibility at the forefront. Central to BCR’s sustainability model is its innovative donation campaign. Members of the public are encouraged to donate items such as cloth, paints, wire hangers, and other household materials. These everyday items, often discarded, are transformed into vibrant, creative Carnival costumes.
COMMUNITY DONATIONS & REPURPOSING:
Central to BCR’s sustainability model is its innovative donation campaign. Members of the public are encouraged to donate items such as cloth, paints, wire hangers, and other household materials. These everyday items, often discarded, are transformed into vibrant, creative Carnival costumes. Through this initiative, BCR not only cuts down on the need for new materials but also fosters community involvement in the creation of their costumes, making Carnival a collaborative, eco-friendly celebration.
Additionally, BCR receives donations of old Carnival pieces, which are stripped and repurposed into new costume designs. This recycling of past Carnival elements contributes to the sustainability of the festival, ensuring that materials are given a second life rather than ending up as waste. The creative process behind repurposing these elements requires ingenuity, resulting in costumes that are both innovative and environmentally conscious.
REUSING NON-BIODEGRADABLE MATERIALS:
Non-biodegradable materials, such as wire hangers used to create costume frames, are reused in future presentations, aligning with BCR’s commitment to minimizing waste. These structural elements are designed to last, allowing BCR to reduce the need for new materials year after year. By making reuse a key part of its costume-making process, BCR is able to significantly reduce the environmental impact of its operations.
Non-biodegradable materials, such as wire hangers used to create costume frames, are reused in future presentations, aligning with BCR’s commitment to minimizing waste. These structural elements are designed to last, allowing BCR to reduce the need for new materials year after year. By making reuse a key part of its costume-making process, BCR is able to significantly reduce the environmental impact of its operations.
SOURCING REUSABLE & UPCYCLABLE MATERIALS:
One of BCR’s core goals is to source as many reusable and repurposable items as possible. From the wire frames to the cloth and decorative elements, each piece is carefully chosen with the aim of keeping the band’s carbon footprint to a minimum. This focus on sustainability extends to all aspects of costume production, from initial design to post-Carnival recycling efforts.
A SUSTAINABLE FUTURE FOR TRINIDAD CARNIVAL:
By blending community involvement, creative reuse, and environmental responsibility, Berkeley Carnival Revolution is setting a new standard for sustainable Carnival practices. Our model not only highlights the importance of reducing waste but also fosters a sense of community ownership in the creation of Carnival costumes. Through these efforts, BCR is making Carnival not just a celebration of culture but also a celebration of sustainability, ensuring the preservation of both the festival and the planet for future generations.
Statement on Artificial Intelligence (Ai)

Berkeley Carnival Revolution is a protest mas band that honours traditional masquerade forms, and uses majority waste and natural materials, to create works of mas which address social and environmental justice – both thematically and during production. We understand that the tradition of resistance handed down to us must be safeguarded, honoured, and renewed in earnest. We also recognise, as a band composed primarily of young people, that our future, and that of our children, depends on our responsible use of both existing technologies, and those yet to emerge. To have a futuristic vision means exercising prudence and care in the present to ensure a just future for all, where human and more-than-human dignity is respected and – in instances where it has been and is currently being denied – restored.
As such, we oppose as a matter of principle the use of Artificial Intelligence (AI) technologies, especially Generative AI and large language models (LLMs).
Concerns:
– Small cultures risk erasure as they are misrepresented by inauthentic media portrayals, otherwise known as AI slop. This was already a problem before AI, and is now being augmented and accelerated by uninformed and uncritical use of these technologies.
– Creative sector workers lose their jobs as the natural intelligence and creativity of cultural stewards is sidelined in favour of more ‘efficient’ production – of low-quality AI slop.
– Framing generative AI as a ‘disability aid’ which allows disabled people to make creative work is actually ableist. This conception holds that disabled people should be more productive, or productive in a way that approximates able-bodied productivity. This values productivity that is more useful to capitalism – this is exploitative. Disabled people should not have to approximate neurotypical behaviour and productive capacity to be welcome and accepted in society. People of all abilities have been writers, artists, musicians, and more since time immemorial. Many of our highly skilled band members are disabled people, none of whom use AI to design or produce their mas, or execute band administration. Further, AI models have been found to misinterpret ableist language, and reproduce cultural biases.
– The focus on the ‘efficiency’ of AI tools upholds the extractive optimisation logic of capitalism, which is responsible for both social and ecological collapse, and has its roots in the plantation system. Plantation logic sought optimisation through the instrumentalisation of human beings. As descendants of those who were stolen, shipped, and forced to work as agricultural machines, we refuse any technology that construes us as things to be used in a machine process – be it a plantation ledger, or Generative AI.
– Water use: AI data centres require millions of gallons of water for cooling. This heat is then discharged into the atmosphere. Communities where data centres are located are denied access to clean water, or any water at all. It has been found that AI-related water use may exceed the global annual consumption of bottled water.
– Energy use: AI consumes huge amounts of fossil-derived energy to function, producing as much carbon dioxide in 2025 as New York City. Elon Musk’s Colossus, which is located in Boxtown, a predominantly Black community in Memphis, is fueled by 35 unpermitted methane gas turbines. This area has been subject to environmental racism in the form of pollution for decades, and this xAI ‘supercomputer’ has led to a sharp increase in nitrogen oxides, which directly harm the lungs. This is social and environmental injustice. There is no such thing as a ‘green’ data centre.
– AI has repeatedly demonstrated that it makes up information to fill in gaps in its responses. It produces data output using media created by humans – often in contravention of copyright – through machines and software designed according to the desires of techno-fascist billionaires. It cannot be trusted to provide reliable and accurate information.
– AI is causing a crisis in education as people are graduating with degrees without actually having developed critical thinking skills, since they used LLMs to complete their assignments. We understand this phenomenon is a natural outcome of a model of education which prioritises the rapid production of results over the careful development of knowledge. It is possible to sympathise with young people who are desperate for qualifications which will give them an advantage in the floundering labour market, while also understanding that this will not prepare them to solve actually-existing problems.
– In general, there is a crisis in literacy. Reading and listening comprehension is at an all time low, as is evidenced in national exam results, online discourse, and the ease with which people believe the lies of authoritarian leaders. Misinformation and disinformation have become household terms in this era. As longtime media houses shutter their operations, people believe the regurgitations of language-analysing machines which exist only in a virtual space, and not in the reality they supposedly ‘describe’.
– The US economy is currently propped up by an unsustainable stock market AI bubble, propped up by billionaire investors. Stock price volatility is untenable, and when the bubble pops, it could cause a recession greater than the 2008 global financial crisis. Today, the global financial system is built upon US financial markets, and governments like ours hold US public debt in the form of Treasury securities.
Any crisis in the AI industry will have severe and multilayered impacts for us here. Investing speculatively in and relying on an industry that is yet to emerge and proven to be dangerous to people and the planet is unwise. We should be doubling down on our creative capacities, and developing our own cultures of tech repair and restoration. Further, demand for memory chips by the AI industry has already caused the RAM crisis, which affects all storage technology, not just AI ones.
Conclusion:
Human creativity has always existed and will always exist, regardless of what technologies are available to practise it. We consider it a grave insult to our ancestors – who guarded both this earth and our traditions so they could be passed on to us – to employ technologies that degrade our only home, and misrepresent our beautiful culture. As such, we oppose the use of AI technology in a time of rising fascism, ecological collapse, and disintegrating social safety nets and systems of governance.
Humans, and all the plants, animals, rivers, and other members of the nonhuman world with whom our collective survival is inextricably entangled, are facing the climate crisis because of the hubris of a small minority of elites who have sought to subordinate the natural world to their will for centuries. The latest cohort of this elite class is the techno-fascist billionaires. Berkeley Carnival Revolution refuses genocide and ecocide in principle and in practice.

